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Altman Lighting Co. Cat # Par30 Stage Track Light w/ Barn Doors |  |
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US $119.00 | 21h 59m |
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Lowel Light IP-21 Barndoor frame 4-Pack NIB | |
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US $44.00 | 22d 9h 10m |
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4 JUNO Barn Doors for Trac Fixtures Studio DJ Stage Band Light Fixtures 51E | |
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US $31.99 | 20d 18h 32m |
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CHAUVET COLORDASHPARTRI NEW RGB WASH LIGHT W/ BARN DOOR | |
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US $279.99 | 12d 20h 30m |
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Selecon Barn Doors & Clamp for Acclaim Fresnel Light | |
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US $58.49 | 2d 18h 37m |
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Lights Barn Door
You guys are so smart! It's fun to ask you questions. What do you think about a light in the barn at night?
I moved my horse from a huge open 10 acres. I thought she'd love my 3/4 acre paddock as it had lots of trees to hide her. Well I quickly learned that they freaked her out. In her mind predators lurked behind those trees so I cut them all back (its an olive orchard).I have a good size barn but the stall she is in enters from the pasture by a regular size door and it makes her pretty nervous. When I frist got her she had lived for years with no shelter at all. I rigged her up a shelter and found she definately prefers it to rain so I thought she would be thrilled with my barn. Well it makes her nervous. She definately prefers it to rain but unless I'm standing guard for her she has to continually check the door for predators. Beacause of this I leave a small light on for her at night. Do you think this helps or do you think it makes her feel more exposed. Last time I didn't know enough to let the whole thing play out. This time I will. Your Great Thanks!
I would do without the light, if I were you. It might cause more problems than it solves, with shadows and other creepy horse-eating monsters like that! Horses see very well at night without light. Is she stabled alone? She'd do well with a buddy (preferably a horse buddy) so she has someone to "confer" with as to whether or not there are monsters in the barn or not.
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Altman Lighting Co. Cat # Par30 Stage Track Light w/ Barn Doors | |
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US $119.00 | 21h 59m |
|
Lowel Light IP-21 Barndoor frame 4-Pack NIB | |
|
US $44.00 | 22d 9h 10m |
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4 JUNO Barn Doors for Trac Fixtures Studio DJ Stage Band Light Fixtures 51E | |
|
US $31.99 | 20d 18h 32m |
|
CHAUVET COLORDASHPARTRI NEW RGB WASH LIGHT W/ BARN DOOR | |
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US $279.99 | 12d 20h 30m |
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Selecon Barn Doors & Clamp for Acclaim Fresnel Light | |
|
US $58.49 | 2d 18h 37m |
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Video Tips & Tricks ep13: How to Build Barndoors on Worklight for Green Screen Youtube Videos
Better Photo Tips - Studio Light Patterns
Hair Lights, Back Lights, and Barn Doors, oh my! Studio Lighting can be very overwhelming when you first start getting into it. Some photographers out there have thousands of dollars of accessories associated with their studio setup. The good news is, you don’t have to be rich to enter into the world of studio portraits. Think about it. How many light sources did God create for earth? If you said “One” meaning the sun; you were almost right. He also created the sky and the ground to “bounce” that light into the shadows. Light that is bounced back is commonly referred to as a “fill light”. If there was no fill light on earth; anything not directly lit by the sun, would have NO DETAIL, it would all be totally black.
It is astounding how much you can do with one main light and one or two fill lights. For those of you thinking three lights doesn’t sound simple to me, let me clarify. In this article what I am describing is one light and one or two reflective surfaces to help bounce that light or to fill in the shadows. With one light and one or more reflectors, you can make amazing photographs.
Having the tools and knowing what to do with those tools are two different things. Today I want to show you what to do with these basic tools.
1) Short Light is the type of studio lighting setup, where the face side of the subject which is the farthest from the camera gets the main light. In this type of lighting setup, the side of the face which is toward the camera gets less light then the side facing away form the camera. The effect you get when using this lighting setup is a thin face, this is why it is good to photograph large (or chubby) people with a short light setup. A photo tip worth remembering is: short light helps to visually thin your subject.
2) Broad light is just the opposite of Short light. In the Broad Light setup, the side that is getting the most light is the side facing the camera. This setup is less commonly used for portraits as it tends to make people look chubby. In both these cases, you can place a reflector on the opposite side of the light (at about a 45 degree angle) to help fill in the shadow side.
3) Split Light sounds more complex than it is. Position your main light on one side of your subject so that it’s exactly 90 degrees to the subject. In other words, you will see a dramatic shadow going right down to the middle of his or her face. If your main light is a flash, you might want to consider a secondary light; not for exposure . . . but just for light placement. We call this small secondary light a modeling light. In some units, they actually have a modeling light built in around the main light, so you can visually see what’s happening.
Using the modeling light, make sure the line between light and dark runs directly down the center of your model’s face, right down the tip of the nose. The model should be looking directly at the camera. This is what we call a split light portrait. Another photo tip is this: split light portraits, create dramatic visual results.
4) Rembrandt Light is considered an artistic classic. The main light is positioned high and on the side of the face that is away from the camera. Generally the subject is placed at a 45 degree angle to the camera (as opposed to just looking straight on.) This technique produces an illuminated triangle on the cheek closest to the camera. The triangle will illuminate just under the eye and not below the nose. The face should appear illuminated on one side and heavily shadowed on the other.
Place your reflector (or white poster board) on the opposite side of the studio light. The reflector should be angled so that it reflects any remaining light in the room to the subject's darken side. The key here is NOT to eliminate the dark shadows, but to add detail within the shadows. The third photo tip to remember: adding subtle detail makes images appear more artistic.
5.) Butterfly Light is achieved by positioning the main light directly in front of the subjects face and adjusting the height to create a shadow directly under, and in line with the nose. This style is best suited for subjects with a normal oval face and is considered to be a glamor style of lighting best suited for women. This lighting technique creates hard shadows in the eye sockets and under the chin depending on the size of your main light and distance to your subject. Use a reflector under the main light source to fill in the underside of the face (eye sockets, under nose and under chin areas). Sometimes this is referred to as “over and under lighting”.
Now the setups given above; can use extra lights, but they don’t have to. Just as you can take an award winning photographs with a $50.00 camera or a $5,000.00 camera, you can also take great shots with a single light source. As we mentioned before, having the tools and knowing what to do with them are two totally different things.
It is my firm belief that photographers who learned to master Black and White photography first and then learned Color photography; will ALWAYS have the advantage over those who started with color photography. This is not meant to insult younger photographers. If a cake taste bad, it doesn’t matter what kind of icing you put on it. Learn the basics of good photography first, and then you can add more lights, more lenses, or whatever the case may be. Thus the fourth photo tip to remember is this: start with the basics, master them first. Then go forward.
About the Author
Award winning writer / photographer Tedric Garrison has 30 years experience in photography. As a Graphic Art Major, he has a unique perspective on the Elements of Design and how those elements relate to all aspects of photography. His photo eBook (Your Creative Edge) proves that creativity CAN be taught. Tedric shares his wealth of knowledge with the world, at: Better Photo Tips.com
If you read the Sun, apparently Sears is starting tonight. If you read the Times, Tristan is.
Perhaps they both will? Can't see Zola dropping DDM to the bench given our injury list, but perhaps he might go 4-3-3:
Green
Neill, Tomkins, Upson, Ilunga
Parker, Kovac, Noble
Sears, Tristan, Di Michele.
Given those 3 strikers couldn't hit a barn door, perhaps having all 3 on the pitch is the best thing – law of averages and all that!