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Chauvet LED Followspot 75 Theatrical Church Stage DMX Color Spot Light |  |
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US $499.99 | 24d 9h 6m |
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LED Theatrical Stage Effect Event Wash Lighting CHAUVET COLORado™ 1 Tri IP | |
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US $579.99 | 23d 11h 4m |
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LED Spot Light Effects Stage Theatrical Lighting gobo CHAUVET LED FollowSpot 75 | |
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US $499.99 | 23d 11h 4m |
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LED Events Stage Theatrical Liner wash Lighting CHAUVET COLORdash™ Batten TRI | |
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US $349.99 | 23d 11h 4m |
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LED Events Stage Theatrical Events Lighting CHAUVET SlimPAR™ 64 | |
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US $129.99 | 23d 11h 4m |
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Theatrical Stage Effects Lighting LED Par 64 12x10W 4in1 Indoor 25° LIGHTRONICS | |
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US $861.00 | 23d 11h 4m |
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LED lighting theatrical stage effects Rectangular Wall Wash LIGHTRONICS | |
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US $346.50 | 23d 11h 4m |
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Apollo Custom Metal Pattern 4 Theatrical Stage Lighting | |
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US $64.13 | 6d 8h 37m |
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Apollo Stock Metal Patterns for Theatrical Stage Light | |
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US $9.69 | 6d 7h 58m |
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DIMMABLE RED BORDER LIGHT BOX ~THEATRICAL ~STAGE ~ CLUB | |
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US $69.69 | 3d 9h |
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stage Theatrical Lighting
Need help for church play...........................?
Okay, i have been assigned to do the make up for my church's play "The Witness". I need some tips on applying theatrical makeup, especially on dramatizing eye makeup that will be under very hot stage lights? This is for approximately 30-35 people, men w/wo beards also. Anybody out there willing to give me some advice on this? Any help would be appreciated, the play is 4-25&26. Thanks.....
Ben Nye sells stage makeup and they have kits that you cnan buy with materials for making beards. You NEED stage makeup. It's really good, it doesn't come off from sweat, its meant for hot lights, doesn't cause break outs and is high quality. IT isn't that expensive. This is the only stage makeup i use because its so amazing. You need to test out skin tones like 2 weeks before. Then you order it and it ususlly comes within a week.
http://www.stageandtheatermakeup.com/bennye.htm?gclid=CJz7r4ui35kCFRwDagodUxSNVg
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Chauvet LED Followspot 75 Theatrical Church Stage DMX Color Spot Light | |
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US $499.99 | 24d 9h 6m |
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LED Theatrical Stage Effect Event Wash Lighting CHAUVET COLORado™ 1 Tri IP | |
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US $579.99 | 23d 11h 4m |
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LED Spot Light Effects Stage Theatrical Lighting gobo CHAUVET LED FollowSpot 75 | |
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US $499.99 | 23d 11h 4m |
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LED Events Stage Theatrical Liner wash Lighting CHAUVET COLORdash™ Batten TRI | |
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US $349.99 | 23d 11h 4m |
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LED Events Stage Theatrical Events Lighting CHAUVET SlimPAR™ 64 | |
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US $129.99 | 23d 11h 4m |
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Theatrical Stage Effects Lighting LED Par 64 12x10W 4in1 Indoor 25° LIGHTRONICS | |
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US $861.00 | 23d 11h 4m |
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LED lighting theatrical stage effects Rectangular Wall Wash LIGHTRONICS | |
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US $346.50 | 23d 11h 4m |
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Apollo Custom Metal Pattern 4 Theatrical Stage Lighting | |
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US $64.13 | 6d 8h 37m |
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Apollo Stock Metal Patterns for Theatrical Stage Light | |
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US $9.69 | 6d 7h 58m |
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DIMMABLE RED BORDER LIGHT BOX ~THEATRICAL ~STAGE ~ CLUB | |
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US $69.69 | 3d 9h |
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12 Gauge 2 Pack! 50 Ft Heavy Duty Black Extension Cords For Shop, Stage, Home Theater and More!
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DescriptionAn excellent quality extension cord with Heavy Duty construction in mind. Great for Stage, Shop, lighting and Home Theater. Ideal for houses of worship, classroom, conference rooms, or stage! |
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Sea Gull Lighting 4740-05 Center Stage Eight-Light Vanity Bar, Chrome Finish
List Price: |
DescriptionLight:Eight Light, Finish:Chrome, Light Bulb:(8)100w G25 Med F Incand Bath bar vanity fixturewith a simple, straight backplate. Note: Projection dimension given is without bulbs. |
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Feit Electric NL6/LED Theatre-Style Night Light with Sensor
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DescriptionTHEATER STYLE LED NIGHT LIGHT - 100,000 hour bulb life. adjustable louvres automatic sensors on at dark and off at dawn. |
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Theatre Skills DVD - 'An Introduction to Stage Lighting Techniques' - TWO DISC (Region Free) Set
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DescriptionAt last - a starter's guide to Stage Lighting... on TWO broadcast-quality DVDs.Clear, simple, easy to understand. A perfect library, work and home study tool.EVC Digital has teamed with internationally acclaimed lighting designer, lecturer and published author GRAHAM WALNE to create two essential resources for anyone involved in the business of Stage and Theatre Lighting... |
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Theatrical Lighting Design Interactive
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DescriptionTheatrical Lighting Design Interactive is a complete interactive learning tool for the development of knowledge and skill in the art and practice of lighting design for the stage. Utilizing audio, graphics, video, animation, text and a powerful and intuitive interface, a student discovers and implements the very practical skills of lighting for the stage... |
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Olympic Flame Costume Decoration Battery Torch
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DescriptionPerfect substitute for a an open flame in bars and dens, and a great decoration piece to celebrate the Olympics! The technology is perfectly simple - But showing it is next to impossible because you have to see the motion and vibrancy to get the whole effect... |
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Sylvania 20138 - 200PAR46/3MFL - 200 Watt PAR46 Medium Flood Halogen Light Bulb, Side Prong
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Description"Industrial Grade 2,000 hour side prong PAR incandescent light bulbs are engineered to last up to 10 times longer than standard light bulbs, therefore reducing operational and maintenance costs, and saving both time and money... |
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Laser Theater
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DescriptionCreate a light-show that is 100 feet wide or create a show that is 10 feet wide- it's all up to you- and with multi-colored lasers, the results are amazing! It's a whole new entertainment experience. Bring it outdoors for the night of the party and it will cover the outside of your home, creating a laser show that will AMAZE your guests... |
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Photo Jigsaw Puzzle of Theatrical Pose from Mary Evans
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DescriptionPhoto Puzzle, THEATRICAL POSE. An unknown actress strikes a pictureque theatrical pose. Stage lighting is used to create an atmospheric quality. She gazes upwards forlornly with a hand on her heart. Chosen by Mary Evans... |
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Electricity for the Entertainment Electrician & Technician
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DescriptionThe application of electricity for the theatre or a concert stage is not the same as for a residence or commercial building. Electricity for the Entertainment Electrician & Technician provides you with the fundamentals of theory of electricity as well as the latest guidelines and tips for how to stay safe, current and meet the needs of the entertainment industry... |
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Theatrical Design and Production: An Introduction to Scene Design and Construction, Lighting, Sound, Costume, and Makeup
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DescriptionThis comprehensive and practical survey examines the technical and design aspects of play production, including scene design and construction, lighting, sound, costume, and makeup. Design is presented as both an art closely integrated with the directorâs, actorâs, and playwrightâs vision, and a craft that provides practical solutions for the physical manipulation of stage space... |
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A Practical Guide to Stage Lighting, Second Edition
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DescriptionConstruct and Implement Your Own Lighting Designs with the most trusted guide to stage lighting! An entertaining and educational read, author Steven Louis Shelley draws from his 35+ years of diverse experience to bring you the step-by-step technical tools for getting the job done along with real-life examples of projects from start to finish... |
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On-Stage Stands Backline Lighting Stand with Truss
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DescriptionA low-cost alternative in lighting stands that can hold a total of 16 PAR cans! Includes two tripod base lighting stands with three section shafts and T-bars. T-bars hold four par cans each. Also includes two 5' truss sections, holding four par cans each, for a total of 16 par cans... |
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Rosco E Colour Primary Lighting Filter Gel Pack (4) 10"x12" Sheets
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DescriptionColored gels for lights used in film, video, photo, stage, theater, party, and dj lighting. Spice up any party or scene with color! E-Color is Rosco's comprehensive system of European color filters for film and video production... |
Live Stage Lighting And Sound - Vlog Nov.24
Cirque Du Soleil's Corteo Review
Take a typical nightmarish dream sequence you may have deep in the night, add ponderous acrobatics and aerobatics, an eerie story of clowns, death and a funeral, sprinkle in a carnival-like atmosphere ripe with little people and balloons, and inject a heart-pounding live, original score that combines with strange scenes that surround you like a psychedelics-infused blanket, and you've got Corteo.
Last night I went to the Boston show of Corteo, another installment of the hugely popular Cirque Du Soleil. It's a circus, a theatrical musical, a gymnastics show and more. The audience surrounds a perfect circular stage, all under a gigantic big top that successfully blocks out every single photon of outside light.
The entire circle, both stage and audience stands, is sliced in half by two curtains that were a semi-transparent gauze. Between these ephemeral barriers stand the props and actors/athletes who begin the spectacle.
The story is essentially about a clown's funeral, although it took all six of my group to determine the exact plot post-show. It opens with a clown on his death bed, I think, although almost everything is a tinge unclear. And the ongoing mumblings of this doomed clown are in Italian to boot, so it was often tough following things. But he did take pity on the crowd occasionally and would blurt something out in English.
It's difficult to put into words what I witnessed next. The lights and stage were gold, yellow, and earthy, the music was soothing yet bizarre, and this clown sat on a bed while accosted by all kinds of characters. They all started running by him on either side of the bed. Clowns prodded him, small men and women with sculpted bodies spun his bed around, and beautiful angle-wing laden women in tights clinging to elaborate and ornate chandeliers floated above him.
The whole thing truly felt like some kind of mildly disturbing dream. And not just watching the dream, but actually experiencing the darn thing. The 'scenes' were rotated through strange and compelling theatrics and absolutely jaw-dropping acrobatics.
The performers started bouncing on three different beds, flipping over each other, onto other beds and actually dribbling each other, all the while the stage rotated at a stately pace. They bounced around the stage like super balls ricocheting around a metal room. Then the ornate chandeliers that hung over the bed which had beautiful women hanging from them began to swing. The woman swung themselves around the entire place, all the while writhing and climbing among the chandelier lights and chains.
It seemed like the show's wardrobe was 18th century French or Italian, with men's ballooning pants at the thighs, and capes and sharp collars, as they acted out some of the plot. But interjected in the plot were amazing physical feats. For instance, there was a scene where both men and women held onto man-sized sturdy hula-hoops that they spun around in while hanging on. They looked like they were just tossed onto the spinning circular stage out of the pocket of some benevolent giant.
From the roof came a steady air raid of angles that hung on to wires and floated around the set handing various props to the actors.
The second half was even more stunning than the first. It opened with some of the performers bouncing along a skinny, long trampoline that cut through the diameter of the stage. And then the trapeze act started above. Never a mistake, never a slip, just crazy body flinging at its finest.
It's funny because I recently heard Howard Stern (the radio jock) try to get one of his regular listeners to do a stunt for his Sirius Satellite radio show. He wants Eric the Midget to "fly with balloons" by strapping him into something that would allow him to float from a bunch of balloons in Stern's studio. The whole thing is hilarious since Eric is ornery and stubborn and won't agree to it. Howard tries to continuously talk Eric into doing it, ostensibly a great idea that will launch Eric into stardom, really a thinly-veiled attempt at a desire for some good radio.
But Cirque Du Soleil's Corteo beat Howard Stern to the punch. A little person flew, and it was magnificent, but it wasn't on the Howard Stern show.
It was one of the most memorable scenes of the second half, and my favorite. It was a little person floating by balloons. Her name was Valentina, and her size was probably about three feet tall. The kooky Cirque people strapped Valentina into a little harness that was attached to five or six large, helium-filled balloons. I am not kidding. A teeny, tiny three-foot-tall woman named Valentina was floated around the inside of the big top by a bushel of weather balloons.
What's more, she actually drifted over us, the audience, and would eventually descend onto the frenzied crowd. The clown on the stage instructed us to hold two hands up like a platform as Valentina came down out of the air. She would proceed to push off the pair of hands, squealing away like an exuberant pixie.
The stunts in the second half were amazing. A man climbed up and down a ladder that was not leaning against anything. A woman traversed a high wire on her tip toes like a ballerina, then proceeded to climb up another high wire that was at a 45 degree angle! And more gymnasts performed intricate, synchronized parallel bar feats.
The show ended with the whole crew out on the stage, the clowns, the gymnasts, the actors, Valentina, everyone. They all waved goodbye to the star clown who was flying up into the rafters, pedaling a bike that was suspended fifty feet in the air, and drifted away to heaven.
Throughout the show I looked over at the friends I was with and invariably saw lots of smiles. I was thoroughly entranced the entire time, and I would absolutely recommend Cirque's Corteo to anyone, from eight to eighty years old. It was a great experience and I think it would be a great place to bring your kids, or a date.
About the Author
Jason OConnor owns and operates Oak Web Works, LLC and also runs www.BestShowTicketsLasVegas.com.
Las Vegas, Broadway Show & Concert Tour Tickets
mailto: jason@oakwebworks.com
When I was your age, all of my friends knew. But then I moved to a different state and pretty much kept quiet. When I did finally tell everyone (junior yearish) nobody really cared. And i didn't really /tell/ them, i would just be like "wow she's hot" etc.
So then they would just be like "hey look at that girl over there, you should talk to her" and help me out and stuff. They would also PLAYFULLY tease me, but it's just cause i'm such a horn dog.
trust me, in high school you'll find plenty of people who accept you/ are like you. if your friends don't accept you now, find some who do!
**I just remembered a good one !!!** The Cyrk is a house on Young street that has a performance space carved out of the main floor. Great acts, great people, lousy neighbourood on the way back up. Here’s the email that arrived a minute ago. This band is new on the Winnipeg scene, but oh are they good. I am glad to have caught them before they sail away into world’s larger rooms … CYRK U Later Drek (“It’s YES” by Drek the 2011 Winnipeg Fringe) All info To join the CYRKulation email To unsubscribe email … RED MOON ROAD in concert The CYRK (254 Young Street) Friday, February 25, 2011 Door 8:00 Show 9:00 $10 suggested donation ** BYOB (we don’t sell alcohol)** No presale or reservations Inspired by the lake, campfires, outdoor living and kitchen party jams, Red Moon Road is a down-home, acoustic folk and roots band with the right mix of East Coast and Country charm. Red Moon Road is a Winnipeg-based, touring songwriters’ collective. The band is driven by the reckless abandon and disarming beauty of vocalist Erin Propp, the songwriting of power-house multi-instrumentalist Daniel Jordan and the sweet harmonies, banjo and mandolin playing of Daniel Peloquin-Hopfner. These musicians deliver songs that tell stories; songs you want to hear again; songs “frankly filled with images which evoke the life of the land, and its connection to the heart” (Rev. Bill Cliff). With a powerful and honest live delivery, the band has been winning hearts and fans at festivals (Trout Forest, Fire N’ Water, Harvest Moon), house concerts, and venues (Times Change(d) High and Lonesome Club, West End Cultural Center) throughout Manitoba and Ontario since its 2010 inception. With more songs to be written, shows to be played, kitchens to jam in and campfires to trade songs around, the band continues to grow its library of adventures ________________________________________________ About the CYRK Founded in July 2006, the CYRK is a private arts house in the Winnipeg’s West Broadway area. The CYRK poetry, music, film, or dance gatherings are among the city’s most unique underground attractions. You won’t suspect what you are in for, until you walk in, through the back door. ‘The CYRK is an intimate, ingeniously designed private club, complete with a small stage, theatrical lighting, high-end sound system, video projection and cafe-style seating.’ Alison Mayes, Winnipeg Free Press ‘The CYRK is the best performance venue in Winnipeg.’ – Scott Nolan, Singer, Songwriter, Musician
If you need an Live Audio Engineer I'm available!
James W. Shirley
14522 N. Greater Hills Boulevard
Clermont, Florida 34711
Cell # (407) 625-9714
To Whom It May Concern:
Attached is my resume for your perusal. My 15+ years experience as Technical Director, Audio Engineer and Project Manager encompasses extensive management of various installations, scheduling, inventory, sales, and system operations.
My qualifications include audio, lighting, video, TV broadcast and projection. My skills, along with management experience, have enabled me to serve as a competent Team Leader.
I am a highly motivated individual who you will find to be an outstanding addition to your team of professionals. My work ethic is strong and I am certain that I will prove to be an asset to your team.
Thank you in advance for your time and consideration. I will be in touch in the coming days to explore any potential opportunities. In the interim, please do not hesitate to call me at (407) 625-9714 or contact me via email:
Sincerely,
James W. Shirley
14522 N. Greater Hills Boulevard, Clermont, Florida 34711 (407)625-9714
James W. Shirley
Objective To obtain a progressively challenging position with a church or reputable company where proven abilities will be rewarded with opportunity for advancement.
Experience 2003-2010
J.S. Consulting (Owner/Operator)
Freelance Engineer and Consultant for various churches and companies consisting of design/build systems, upgrade systems, and coordinating/training of all operations including audio, lighting, video and projection. Freelance FOH,Monitors,and Broadcast audio engineering.
1995-2002
Technical Resource Group – Largo, FL
Project Manager
F.O.H. (Front of House), Monitors and Broadcast Audio Engineer.
Floor Directing for multiple video cameras and talent, camera operations, and lead broadcast audio engineer for remote productions.
Project Manager and supervisor of multiple crews, installation of all audio, lighting, video and projection needs for Technical Resource Group which consisted of working with Structural Engineers, Electricians and Architects for over 500 churches with budgets of $10,000 to over a $1,750,000 from start to finish to design/build these systems – install and train all staff members and volunteers.
Lead audio engineer for Chuck Colson’s (Prison Fellowship Ministry) consisting of various artists such as Avalon, Steven Curtis Chapman, Whitley Phipps, Wayne Watson and many more. Prison concerts and fund raising banquet concerts from coast to coast and up to level (5) security.
Lead audio for remote broadcast with Partnership for drug-free America and CADCA working with the Secret service and Presidents Bill Clinton and George W. Bush.
Lead audio for Church of God camp meetings summer and winter for ten years consisting of full orchestra as many as (15) ensemble vocalists, praise leader, full band and (100 to 500) member choir, 72 mic inputs FOH mix position and 16 –24 monitor mix position on stage.
Orlando Entertains – Orlando, FL
1991-1996
Technical Manager
F.O.H. with multiple monitor mixes, special effects, and lighting operations. Responsibilities included: spotlight operations, indoor and outdoor architectural lighting, audio and lighting system installation, and preventive maintenance. Properties included Blazing Pianos, Caruso’s Palace, Wild Bills dinner show and King Henry’s Feast along with corporate shows for Blazing Pianos.
2002-2005
Master’s Touch International Church – Orlando, FL
Lead Audio Broadcast Engineer
1995-1998
World Outreach Center – Orlando, FL
A-1 (Lead engineer) for sanctuary audio consisting of full orchestra and band with (10) member ensemble, praise and worship leader, and (500) member choir.
1992-1995
• Image Technical Services – Orlando, FL
Corporate audio/visual technician consisting of multiple cameras, multiple I-Mag, and all audio for major corporate events such as: Coca-Cola, Sony, Sysco Corp., and many more.
1994-1999
• Ocala Word Of Faith Church – Ocala, FL
Technical Director and engineer for sanctuary audio, monitors,
lighting and projection. Training of all volunteers for special productions
and all regular church services consisting of (8) member ensemble, full band, orchestra, and praise and worship leader along with (200) member choir.
1991-1998
• J. Michael Stukey & Associates – Lakeland, FL
Audio system installations: utilizing Tef software to converge, align systems, set delays, and analyze room acoustics. Audio system equipment trouble-shooting and preventative maintenance to these systems.
Education:
1990: Evans High School Diploma (Honors English)
2001: Shure Soundplex
Software training/installation
2000: Media Matrix
Software training/installation
1999: Ashley Protea
Software training/installation
1999: Sabine DSP
Software training/installation
1995: Syn-Aud-Con (Synergetic Audio Concepts)Advanced course (completed) instructor Pat Brown
1995: NSCA (National Systems Contractors Assoc.)
Advanced microphone and wireless technology class (completed)
Fiber optics and audio applications class (completed)
1994: Syn-Aud-Con
1st course (completed) Instructor Pat Brown, Don and Carolyn Davis
1994: LDI (Lighting Dimensions International) Classes
Lighting for theater and nightclub entertainment (completed)
Design/Build for theatrical lighting class (completed)
Miscellaneous:
Organizations: NSCA,LDI,Infocomm,SAC member
Born in Winchester, TN
D.O.B. October 15, 1970