Stereo Dual
Where can I find the drive belts for a GE model 3-5671A Stereo Radio Dual Cassette recorder?
I've searched using Yahoo, Google and ASK. No results. It seems that GE does not have a support for any electronic items.
They do support appliances very well, but not electronic products.
I'll post you a link in the source box below. Hope this helps. Just enter in your model number and take it from there. They list a main belt and a counter belt.
Good luck,
Mike
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Beryllium Quadband Dual Sim World Phone w/ 3.2 Inch Touchscreen
Introducing the latest addition to our exceptional range of touch phones, the M92 Beryllium. This fully unlocked Dual-Sim Dual-Standby world phone comes with full native quad band functionality (850MHz, 900MHz, 1800MHz, 1900MHz) to work on any network or carrier of your choice.
Like the element with the same name, our Beryllium is a rarity among its brother and sister phones. It stands out with a huge 3.2 inch crystal clear LCD touch screen and is housed inside a strong, beautiful metal case for everyday use. The simple and elegant interface is easy to use and provides you with the tools and options you need for any occasion. Aside from the standard call functions, the Beryllium offers an abundance of call handling features and PDA software tools to let you stay on top of your work and social life.
Just to name a few:
- Speed Dial: One key shortcut for your best friends and colleagues
- Calendar and To-Do List: Don't forget important dates, manage your workload and plan ahead to get the best result
- MSN Messenger: If Obama isn't answering his home phone, then just hit him up with with an instant message!
- Phonebook with Picture and Ringtone: Add personalized ringtones and photos to your contact list, so you know who is calling without even looking at your phone
- Dual SIM: Keep two active phone numbers inside your super cool Beryllium phone
The Beryllium also offers a full assortment of Bluetooth functions so you can hook it up with your Bluetooth head phone for wireless conversations or music. You can even pair it with your Car DVD System for a safer and easier time while driving.
With every Beryllium phone purchased, Chinavasion is giving a 2GB TF Micro SD card for free! Yes, free because we believe it is the icing on the cake. With the free 2GB Micro SD card, you can have loads of your favorite videos and music stored inside your Beryllium phone and watch them on the go (this is why it has a huge 3.2 inch LCD screen). You can also record interesting things happening around you with the built-in digital camera and video recorder. This phone even comes with a range of Java games and applications, including a Melody Composer for you to compose your own song and get ready for the next American Idol!
This new phone is offered at a low factory-direct wholesale price. It is a great phone for yourself or to give as special gift for the new year. So order one for yourself or a friend, or order it in bulk for some easy resale profits from eBay or your own internet storefront. No matter what the reason is, click "add to cart" and order your Beryllium phone now, you will not regret it!
At Glance...
- Crystal clear 3.2 inch large QVGA LCD touch screen
- Dual Sim and Dual Standby
- Quad band GSM connectivity for global usage
- Digital Camera, Video Camera and Analog TV function
- MP3 and MP4 media players
- WAP and GPRS connection for Internet and Microsoft Messenger Live
- Protective metal case with black chrome finish
Manufacturer Specifications
- Main Function: Unlocked touchscreen quadband mobile phones with dual-SIM functionality
- Additional Functions: Analog TV player, Digital Camera, Image Viewer, Video Recorder, Video Player, Audio Player, Sound Recorder, FM Radio Player, Bluetooth and E-book reader
- GSM Compatibility (Quad Band): Frequencies 850MHz, 900MHz, 1800MHz, 1900MHz
- Screen: 3.2 inch LCD with 260K colors
- Memory: 2GB TF card included FREE
- Maximum TF Card Size: 8GB
- Colors: Black with chrome finish
- Bluetooth Type: MTK BT DEVICE
- TV Type: Analog
- SIM Card Slots: YES - 2
- SIM Card Modes: Dual SIM open, Only SIM1 open, Only SIM2 open
- Messaging: SMS, MMS, Voice mail server, Broadcast message
- Mobile Internet: Yes - WAP (if supported by your data plan)
- Call options
- Call Waiting, Call Divert, Call Barring, Auto Redial, Speed Dial, IP Dial - Security Settings: Phone lock, Auto Keypad lock, Change password
- Handwriting Speed: Slow, Medium, Fast
- Languages (10): English, French, Spanish, Portugal, Italian, German, German, Bahasa, Turkey, Persian, Chinese
- Battery Type: Rechargeable 1200 mAh Li-ion battery
- Dimensions (mm): 117 (L) x 66 (W) x 17 (H)
- Digital Still Camera (back only):
- Resolution: 640 x 480, 400 x 240, 240 x 400, 160x120, 80x60
- Image Quality (compression): High, Normal, Low
- Snapshot Options: Digital Zooming, Timer, Continuous Shot, Scene Modes, Color Effects, White Balance
- EV: 8 steps (+4 to -4)
- Formats: JPG - Video Recorder
- Video Quality: Normal, Low, High
- Video Settings: Effects, White Balance, LED Highlight, Night Mode
- EV: 8 steps (+4 to -4)
- Banding: 50Hz / 60Hz
- Digital Zoom: 3X
- Video Record Format: AVI - Video Player
- Auto Repeat: ON, OFF
- File Formats: AVI, MP4, 3GP
- Video Player Settings: Brightness, Contrast, Auto Repeat, BT Stereo Output, BT Stereo Headset - Music Player:
- Functions: Playlist Auto Generate, Repeat, Shuffle, Background Play, BT Stereo Output, BT Stereo Headset, Lyrics Display
- File Formats: MP3, WAV - Image Viewer
- File Formats: BMP, GIF, JPG - Sound Recorder
- Type: Analog
- Audio Quality: Low, High
- File Formats: AMR, AWB, WAV - FM Radio
- Frequency: 87.5MHz to 108MHz (worldwide)
- Background Play: On, Off
- Loudspeaker: On, Off
Product Notes
- Fully unlocked phone; can be used with any carrier, network and SIM card(s)
- Pre-loaded PDA software tools; Calendar, To-Do List, Alarm, Calculator, Unit Converter
- File Manager - Advanced portable storage and organization
- Free 2GB Micro SD card included
- IP Dial: Another great tool for saving you from entering phone numbers like 314159265358979324645.....(Please read our FAQs if you don't know how good this feature is)
- Camera resolution 640x480 = 0.3 Megapixels (MP)
- If you plan to resell this item in your own country, the most common category names for this product are - mobilni telefon, móvil, telefono celular, telefono movil, telefonía móvil, teléfono celular, купить мобильный телефон, Китай мобильные телефоны, Kína handy, κινητό, cотовый телефон, mobitel, mobiloddal, mobiltelefont, téléphone mobile, teléfono móvil, telefone móvel
Package Contents for CVNZ-M92
- The Beryllium Mobile Phone
- 2.5mm Earphones
- Power Adapter (110-240V)
- USB Cable
- 2x Li-ion Rechargeable Battery
- User Manual
FAQ - Frequently Asked Questions
- Does the Beryllium phone come with an analog TV tuner? Yes, watch TV and be happy with the Beryllium.
- Does the phone come with a contract? This phone is contract- free and fully unlocked so it can work with any GSM service provider you choose.
- How many contacts can this phone store? The phone itself can store 500 contacts. Each SIM card usually takes 250 contacts.
- What is speed dial and how do I use it? Speed dial lets you associate your closest contacts with one of the 8 keys of your virtual keyboard (number 2 - 9). To setup your speed dial numbers, go to LOG -> General Call Settings -> Speed Dial -> Set Number, then enable speed dial. To use it, go to Call menu, press and hold any preset number and the phone will automatically dial out.
- What is IP dial and why is it useful? The name is IP dial, but this feature has nothing to do with IP address or the Internet. What it does is to add a preset number to the number that you are intending to dial out. For example, if your preset IP dial number is 1234, and you IP dial Mr. X, who has number 5678, the phone will dial out 12345678 instead of 5678. Some telecommunication companies offer dial-around services, which are generally cheaper than your standard rate, but you will have to dial a preset number in front of your normal number each time. With the IP dial, you can save this preset number to your phone, and each time you want to use it, just select the IP dial function.
- Where can I download some great free music for this phone? We love magnatune.com, great music from all genres. Check out Lara St John's amazing version of Vivaldi's Four Seasons or DJ Cary's Eastern Grooves. Aurgasm.us also has some very delicious tunes.
- Login For Wholesale Discount Price
- Photos By: L.H.
- Written By: W.S.
Visit the website: http://www.electronicschinawholesale.com
You will find much more.
Current Reviews: 7
This product was added to our catalog on Monday 08 February, 2010.
About the Author
The Best Distributor Of Chinese Wholesale Electronics. China Electronics Wholesale and Dropship: Gadgets, Cell Phones, Car DVD Players, Digital Cameras, Digital Camcorders, MP4 Players, MP3 Players, Spy Cameras, Security Products, PC Accessories, and more... Visit the website: http://www.electronicschinawholesale.com
Music, Music, Music ….
Where do I start, first and foremost interesting blog as always! This piece essentially as you may have known, I would be keen on commenting. For starters let me clearly put my background which is limited to certain time frames, basically because I am generation Y which means my views and opinions may be slightly biased to that demographic and age group. The beauty about being generation Y is that you have somewhat an understanding of Generation X and the upcoming Internet Generation or what they call Silent Generation.
The reason I mention this is quite simple, essentially because we (my generation) have been fortunate to have lived through the era where we watched our parents buy all the music from the local record store (Music Land and the likes) and each one of our parents owned Vinyl or Audio cassettes of original works from African recording artists as well as international artists. I believe there existed a variety of record labels in East Africa too during that time the Motowns, MCA’s and Universals. However I strongly believe that that era was somewhat economically OK!, meaning that most parents seemed to be able to afford some cash on buying music. Most parents seem to have owned phonograph, most parents seemed to enjoy listening to audio cassettes at home. As much as I hate to admit it I think the economy played a major part for the few people who lived in Nairobi, Mombasa and the likes or urban living in that ERA.
With time came the Stereo with dual players, to allow simultaneous recording of audio cassettes or what they called compact cassettes. The reason I think this time frame is important to note is because that era marked the first change in piracy and ultimately what we call P2P Networks today that major Record labels overlooked and majority of the Government bodies overlooked. I believe the internet and other related technologies in essence played a part in decimating information but not entirely compared to a system that was already failing in a country that cared less about music as part of their economy.
Sure enough pricing does play a major part; I mean how do you expect to sell a CD for over 500Ksh to an individual who can’t afford bread? Pricing is one of the factors that make the music industry flourish in Tanzania over any other country. Tanzanians embrace audio cassettes they recognize that technology exists with regards to CD’s but they would rather purchase audio cassettes which are sold at a mere 100 Ksh or less (in comparison to TZS). Again in Tanzania where the Government could have played a better role, the people who control the music industry played a role, where you have only 3 to 4 major distributors who are all Indians (Wahindi Waswahili au Waraabu – Faraji, Kibonge and the likes, these are their real names FYI) who manage and ensure their products are not pirated. So in essence it only leaves them to pirate their own product (pretty smart business if you ask me – meaning they can over produce an album and state that they produced less copies or sold less copies) every vendor or retailer buys music from these 3 distributors, all major copy cats are often shut down, burnt up or reported to the police who do the same.
The beauty about the Tanzanian distributors is that they pay well, in comparison, a good album will go through A&R (Same Muhindi in essence) who listens to the music and comments on whether it will be a hit or not, and then he breaks of the artist a large sum amount. For instance Mr. Nice – one of Tanzanians top selling artists collects cash amounts of up to 20 Million (about 1.3 Mil Ksh, about 13,000 USD – All are estimates I didn’t take a calculator here…) So what the Tanzanian music industry has created is a system that sorta works for them, what Mr. Nice understands is that the more albums he puts out the more money he has to collect, of course the more shows he does which is his own money but ideally if he wants to buy that new car, he often spends time in the studio.
In Uganda the same thing happens where the distributors are 2 main Ugandan kahoons… they operate the distribution business like the mafia basically they are the same people who actually pirate your music, so often in Uganda what the artists do is they negotiate with these two business men to agree on a price, a one flat fee rate for the entire album. These two have been responsible for helping people like Chameleon buy Hummers and houses bigger than you can imagine, simply because they play the role of the government which is in protecting their own interests.
Now that said and done you must be asking yourselves what’s wrong with Kenya??? Well a couple of things really, for starters the generation gap and culture gap in Kenya brings a whole new psyche in understanding music consumption in Kenya. Quite frankly I think the problem with Kenya is that Kenyans are not proud of their Shadiness. Basically we run away from the disease called culture or ruralism. So much that we are the only country that adapt to technology faster than any of the other countries in the region. With that in mind, also comes the urban age culture, we quickly embrace western style of music without generally knowing what it means to make a good hit record, artists in Kenya have short lived careers because they make music that resembles Western Music and culture, as opposed to their own culture. This I think creates a gap in the listener ship and separates the older generation from the younger generation, leaving the spending capacity at an all time low. You figure that college student, high school student who has to balance between his pocket money and buying Noninis CD, not forgetting the fact that his parents hate that Nonini fellow who keeps singing about what he will do to their daughters. Ideally this seems like a poor analogy but if you look at the long term effect then you will understand where I was going with that.
I believe technology plays a role but not entirely because you figure we haven’t even gotten to the age where the internet drives our daily consumption as such. What then, will we cry foul to other P2P networks? I think the Kenya Government needs to play a role in assisting the music industry, I think the artists also need to start working towards being artists and release albums at all costs, however they can only do that if the supply and distribution makes sense, so it goes without saying that Kenya needs a mafia style distributor to come and take over. However keep in mind that he will not succeed so long as Kenyans believe that CD’s are the only way to go (and not cassettes), unless he sells CD’s for 200 Ksh then we might be talking…. Lastly also the Kenyan artists need to understand what makes artists like Chameleon popular, Juma Nature…. It is their grasp on their roots, their grasp on where they are from and who they are talking to. Chameleon makes feel good, easy to dance to music which crosses the 3 borders on all age groups. I mean you will always have the Noninis and Namelesses but in Kenya the number of Nonini’s, Jimwat artist’s vs Achieng Abura’s or Mercy Myra’s is way unbalanced. I believe Kenyan artists don’t make music that crosses the borders and hence can’t have the shelve life needed to ensure mass sales. Am not sure if this makes sense but this is just how I see it….
Music, Music, Music ….
Where do I start, first and foremost interesting blog as always! This piece essentially as you may have known, I would be keen on commenting. For starters let me clearly put my background which is limited to certain time frames, basically because I am generation Y which means my views and opinions may be slightly biased to that demographic and age group. The beauty about being generation Y is that you have somewhat an understanding of Generation X and the upcoming Internet Generation or what they call Silent Generation.
The reason I mention this is quite simple, essentially because we (my generation) have been fortunate to have lived through the era where we watched our parents buy all the music from the local record store (Music Land and the likes) and each one of our parents owned Vinyl or Audio cassettes of original works from African recording artists as well as international artists. I believe there existed a variety of record labels in East Africa too during that time the Motowns, MCA’s and Universals. However I strongly believe that that era was somewhat economically OK!, meaning that most parents seemed to be able to afford some cash on buying music. Most parents seem to have owned phonograph, most parents seemed to enjoy listening to audio cassettes at home. As much as I hate to admit it I think the economy played a major part for the few people who lived in Nairobi, Mombasa and the likes or urban living in that ERA.
With time came the Stereo with dual players, to allow simultaneous recording of audio cassettes or what they called compact cassettes. The reason I think this time frame is important to note is because that era marked the first change in piracy and ultimately what we call P2P Networks today that major Record labels overlooked and majority of the Government bodies overlooked. I believe the internet and other related technologies in essence played a part in decimating information but not entirely compared to a system that was already failing in a country that cared less about music as part of their economy.
Sure enough pricing does play a major part; I mean how do you expect to sell a CD for over 500Ksh to an individual who can’t afford bread? Pricing is one of the factors that make the music industry flourish in Tanzania over any other country. Tanzanians embrace audio cassettes they recognize that technology exists with regards to CD’s but they would rather purchase audio cassettes which are sold at a mere 100 Ksh or less (in comparison to TZS). Again in Tanzania where the Government could have played a better role, the people who control the music industry played a role, where you have only 3 to 4 major distributors who are all Indians (Wahindi Waswahili au Waraabu – Faraji, Kibonge and the likes, these are their real names FYI) who manage and ensure their products are not pirated. So in essence it only leaves them to pirate their own product (pretty smart business if you ask me – meaning they can over produce an album and state that they produced less copies or sold less copies) every vendor or retailer buys music from these 3 distributors, all major copy cats are often shut down, burnt up or reported to the police who do the same.
The beauty about the Tanzanian distributors is that they pay well, in comparison, a good album will go through A&R (Same Muhindi in essence) who listens to the music and comments on whether it will be a hit or not, and then he breaks of the artist a large sum amount. For instance Mr. Nice – one of Tanzanians top selling artists collects cash amounts of up to 20 Million (about 1.3 Mil Ksh, about 13,000 USD – All are estimates I didn’t take a calculator here…) So what the Tanzanian music industry has created is a system that sorta works for them, what Mr. Nice understands is that the more albums he puts out the more money he has to collect, of course the more shows he does which is his own money but ideally if he wants to buy that new car, he often spends time in the studio.
In Uganda the same thing happens where the distributors are 2 main Ugandan kahoons… they operate the distribution business like the mafia basically they are the same people who actually pirate your music, so often in Uganda what the artists do is they negotiate with these two business men to agree on a price, a one flat fee rate for the entire album. These two have been responsible for helping people like Chameleon buy Hummers and houses bigger than you can imagine, simply because they play the role of the government which is in protecting their own interests.
Now that said and done you must be asking yourselves what’s wrong with Kenya??? Well a couple of things really, for starters the generation gap and culture gap in Kenya brings a whole new psyche in understanding music consumption in Kenya. Quite frankly I think the problem with Kenya is that Kenyans are not proud of their Shadiness. Basically we run away from the disease called culture or ruralism. So much that we are the only country that adapt to technology faster than any of the other countries in the region. With that in mind, also comes the urban age culture, we quickly embrace western style of music without generally knowing what it means to make a good hit record, artists in Kenya have short lived careers because they make music that resembles Western Music and culture, as opposed to their own culture. This I think creates a gap in the listener ship and separates the older generation from the younger generation, leaving the spending capacity at an all time low. You figure that college student, high school student who has to balance between his pocket money and buying Noninis CD, not forgetting the fact that his parents hate that Nonini fellow who keeps singing about what he will do to their daughters. Ideally this seems like a poor analogy but if you look at the long term effect then you will understand where I was going with that.
I believe technology plays a role but not entirely because you figure we haven’t even gotten to the age where the internet drives our daily consumption as such. What then, will we cry foul to other P2P networks? I think the Kenya Government needs to play a role in assisting the music industry, I think the artists also need to start working towards being artists and release albums at all costs, however they can only do that if the supply and distribution makes sense, so it goes without saying that Kenya needs a mafia style distributor to come and take over. However keep in mind that he will not succeed so long as Kenyans believe that CD’s are the only way to go (and not cassettes), unless he sells CD’s for 200 Ksh then we might be talking…. Lastly also the Kenyan artists need to understand what makes artists like Chameleon popular, Juma Nature…. It is their grasp on their roots, their grasp on where they are from and who they are talking to. Chameleon makes feel good, easy to dance to music which crosses the 3 borders on all age groups. I mean you will always have the Noninis and Namelesses but in Kenya the number of Nonini’s, Jimwat artist’s vs Achieng Abura’s or Mercy Myra’s is way unbalanced. I believe Kenyan artists don’t make music that crosses the borders and hence can’t have the shelve life needed to ensure mass sales. Am not sure if this makes sense but this is just how I see it….